Emotion, Evolution, and the Long Game: 15 Years with Darin Epsilon

Darin Epsilon talks about 15 years Digital Perspectives

For over 15 years, Darin Epsilon has been a defining presence in the global progressive and melodic house scene. As the founder of Perspectives Digital, he’s helped shape the careers of countless artists while consistently pushing the genre forward with his own deeply emotional productions and carefully curated sets.

What began as a passion project in 2010 has grown into a trusted label with an international reputation for quality, consistency, and innovation — from label showcases in Berlin, London, and Ibiza to chart-topping releases and viral hits. In this interview, Darin reflects on the evolution of Perspectives Digital, the balancing act of being both artist and label boss, and the challenges of navigating a music industry where creativity and entrepreneurship are more intertwined than ever.

He also shares thoughts on inspiration, diversity, and the future of electronic music — not just as an artist, but as someone deeply committed to community and culture.


Connect with Darin Epsilon on Instagram / Facebook / Soundcloud / Youtube


Perspectives Digital & 15-Year Anniversary

What inspired you to start Perspectives Digital 15 years ago, and how has your vision for the label evolved since its founding?

First off, thanks so much for inviting me to do this interview!  Back in 2010, the musical landscape looked very different.  I was deeply passionate about the deeper side of Progressive House, but there weren’t many labels in the US really championing that sound.  Perspectives Digital began as a passion project, an outlet to release the music I personally wanted to hear and to support the artists whose vision I believed in.

I had already released a fair amount of music on other labels by that point, so I understood the industry well and was ready to take the next step.  Launching my own label gave me full creative freedom.  I could release whatever I wanted, whenever I wanted.  I think that kind of independence is essential for any artist, especially in today’s industry.

Can you share the biggest challenges you’ve faced in running the label, and how you overcame them?

Reaching 15 years is a rare milestone in electronic music.  I think most people don’t realise that running a label is far more than just releasing tracks.  It’s curating, managing artists, handling logistics, maintaining branding, navigating endless admin, and adapting constantly to an evolving industry.  It’s truly a full-time business.

I think most people don’t realise that running a label is far more than just releasing tracks.

What I’m most proud of is the consistency.  Year after year, we’ve delivered quality music, grown our community, and built a brand people trust.  One of the biggest challenges has been evolving the label’s sound.  We started as a deep Progressive House label, but over time we naturally expanded into Melodic House & Techno, Indie Dance, Organic House, and forward-thinking Progressive.  That evolution reflects both my shifting tastes and my commitment to staying ahead of the curve.

Perspectives Digital is known for a global roster. How do you discover new talent and decide which artists to sign?

We’re fortunate that artists often find us. We receive dozens of demos every week from all over the world, and many come via referrals from our existing label artists. That tells us we’re doing something right.

We look for artists with a unique, original voice, and not someone just following the latest trend.

We look for artists with a unique, original voice, and not someone just following the latest trend.  Technical skill and melody are important, of course, but originality is key.  Sometimes, I also discover artists on other labels I admire, and if their sound aligns with Perspectives Digital, I reach out and explore a collaboration.

What makes Perspectives Digital stand out in the electronic music landscape after so many years?

I think what sets us apart is that we don’t chase trends and we focus on consistency and quality.  With so much music being released daily, visibility is harder than ever, so we invest heavily in PR, marketing, and social media ads.

We’ve also developed our label showcases, which have been incredibly successful in cities like Berlin, Amsterdam, Ibiza, London, and Istanbul.  Those events give our artists a platform and help the label connect with its global community.

Are there any releases from the past 15 years that represent key moments or milestones for you personally or for the label?

There have been so many that this list would never end, but I’ll do my best to highlight some of our more recent successes!

Darin Epsilon & Nihil Young – XV:  An emotional release for me personally.  This was one of the tracks included in our landmark 15 Years of Perspectives compilation and XV is the roman numeral for 15.  This track is a unique blend of Melodic Techno and Drum & Bass that I haven’t heard in too many other tracks, and working alongside Nihil Young (one of the most talented producers I know) was unforgettable.

Mode Apart – Voyage:  Released during the pandemic, it became our highest-selling track ever, and was supported by so many DJs across the dance music world, including Armin van Buuren, Oliver Heldens, Sofi Tukker, Goom Gum, and hundreds more.  This managed to make its way to #1 and stayed in the Beatport charts for 280 days!

Darin Epsilon feat. Alice Rose – My Own Time (Miss Monique Remix):

Released at the start of the pandemic, this track could’ve reached even greater heights if clubs had still been open.  Miss Monique’s remix, created just before her meteoric rise, elevated the track to a whole new level, and it remains one of the defining moments in our catalog.

I guess I was just extremely lucky.  Miss Monique and I met at ADE the previous year and immediately connected.  The Original Mix was itself a viral success, garnering over 4 million views on YouTube, and solidifying its place as one of Perspectives Digital’s most recognised releases.

Trilucid – Endless Moment (Martin Roth Remix):  A melodic gem with huge crossover appeal, frequently featured by Tale of Us in their sets, including their Cercle livestream and EXIT Festival in Serbia.

Music and Career

How do you balance your work as a DJ, producer, and label owner?

It’s a constant juggling act!  I plan carefully, prioritise tasks, and try to dedicate time for creativity separately from business management.  I’ve learned that maintaining focus and structure is key to staying productive and inspired across all areas.

I’ve learned that maintaining focus and structure is key to staying productive and inspired across all areas.

What are the main influences behind your sound?

I’m inspired by artists who bring emotion and depth to electronic music, from classic pioneers to contemporary forward-thinking producers.  When I first started, I’d point to legends like Sasha & John Digweed, Paul Oakenfold, Ferry Corsten, and compilation albums by Global Underground and Balance as my earliest influences.

Today, my focus has shifted more toward labels than individual artists, with my recent sets frequently featuring tracks from Afterlife, Stil Vor Talent, Ritter Butzke, Siona Records, and ERRORR for example.  These labels consistently blow me away with many of the tracks that they’ve been signing.

Which tracks of yours hold the most meaning for you, and why?

That’s a tough question because nearly all of my 100+ productions have their own story and significance. If I had to pick a few, Bluephobia from 2007 stands out as the first track that drew widespread attention and opened the door for me to play internationally for the first time.

Another key track is My Own Time from my first mini-album.  It remains one of the most-streamed tracks of my career, with over 4 million views on YouTube alone, and represents a milestone both creatively and personally.

How do you stay inspired and innovative after so many years in the industry?

I stay inspired by constantly exploring new sounds, collaborating with fresh talent, and observing trends without following them blindly.  Travelling, experiencing new cultures, and interacting with the global electronic music community keeps my perspective evolving 😉

Future Plans & Reflection

What’s next for Perspectives Digital and for you personally as an artist?

We’re continuing to expand our roster with unique artists, focusing on high-quality releases, and producing label showcases in key cities.  Personally, I’m excited to explore new musical directions and collaborations while maintaining the label’s core identity.

What does the electronic music community mean to you, and how do you see it evolving in the coming years?

This community is everything, and it’s the heartbeat of our scene.  I see it becoming more diverse, global, and collaborative, with technology enabling new ways to connect and share music while still valuing live experiences and authentic expression.

Is there a question you wish interviewers would ask, but never do?

I’d love it if interviewers asked how much more challenging it has become to be an artist today.  When I first started, social media barely existed, and promoters were eager to book artists who genuinely played good records.

Today, you have to wear so many hats just to stay afloat:  music producer, DJ, radio host, label owner, social media strategist, video editor, graphic designer, business and marketing expert… the list just goes on and on!

Most people only see one person on stage playing music for an hour or two, but they rarely realise the weeks, months, and even years of preparation that go into every performance and every release. 

Most people only see one person on stage playing music for an hour or two, but they rarely realise the weeks, months, and even years of preparation that go into every performance and every release.  The behind-the-scenes work is exhausting and it’s likely to only continue getting worse.

Also, even with all the progress in recent years, there’s still a lot of inequality and homogenization in dance music.  The scene can feel exclusive and closed off to outsiders, and certain groups of people are promoted more heavily than others, which severely limits diversity.  It’s something I care about deeply—both in the music I release on Perspectives Digital and in the artists I support—making sure a variety of styles, backgrounds, and perspectives get heard.  I think there’s still so much room for growth in celebrating true diversity in electronic music.

Thank you.

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