A musician since a very young age, Vicius is a brazilian artist based in São Paulo. He believes that authenticity is the most valuable aspect of his artistic alias.
Blending references and elements from multiple genres from house to techno, underground IDM to electronica, his music creates genre-bending soundscapes pushing the boundaries of electronic music. As a musician, a vanguardist searching for innovation and sonic revolution. As an entertainer, a tour-de-force, capable of transporting the audience through energetic and hypnotic performances.
From his first release, Vicius carreer evolved in leaps, having few yet powerful releases collaborating with big names in the electronic music industry, releasing in big labels and performing in big clubs such as D-EDGE and Club 88, besides having had his own label party called Changing Melodies and his own record label called Odissea Records, which released some of the most renowned names in underground electronic music.
In 2025 he decided to revolutionize his own carreer, reinventing himself and his music navigating through genres such as techno, electro, indie dance and trance
1. Your new album “I Dream a Dream” explores sounds ranging from Techno to Indie Dance and Trance. How did you decide to blend all these genres into a cohesive project?
2. Collaborations with artists like Zanna and Elisa Audi added depth to the album. How do you choose your collaborators, and what do they bring to your creative process?
The main thing I search for is creativity and authenticity. I don’t want to collaborate with people who restrain themselves to what music supposedly should sound like. Zanna and Elisa come from different backgrounds and have different repertoires than me and I think that enrichens the process, because it presents alternative paths during the creative process.
3. Your bio mentions “not conforming to the reality you are inserted in” as key to surpassing creative barriers. How does this principle reflect in your work and artistic evolution?
I believe that the essence of that is to always try to bring something new, and if everyone is trying to make music one way, doesn’t mean you have to do it too. This realization came in a moment when I didn’t like what others were doing, however I felt like I needed to try and imitate it to stay relevant. When I decided to break free from those limitations, my work evolved immensely.
4. You have extensive experience performing in Brazilian clubs like D-EDGE and Club 88. How do your live performances influence your studio productions?
Having played in those clubs helps realizing what works with the crowd and what doesn’t. The dancefloor can and should be really demanding, and what you see is that most of the times, is that minimalism is key when it comes to club music.
5. You are known for founding your label Odissea Records and your party Changing Melodies. How have these experiences shaped your vision of electronic music and the industry?
Seeing things as an artist is different from seeing them as a label manager and being both allow me to have a clearer vision on the scene. Being a label manager helped me recognize the entrepreneur side of making music. Being an artist on the other hand, allow me to recognize the value of giving opportunity to new artists and endorsing the ones who try to create new things.
6. In such a competitive music scene, how do you maintain your authenticity while continually pushing the sonic boundaries of electronic music?
It comes from a lot of research and work to try and keep myself as authentic as possible. As I listen to a lot of different artists from multiple genres, I absorb the things I like, synths, drums, rhythmic patterns, and they appear naturally during my creative process, the real difficulty is filtering what works and what doesn’t and how to bring it to my own identity.
7. Looking ahead, what new musical directions or experimental projects would you like to explore after “I Dream a Dream”?
Thank you!