Rimbano and Snooko link up on “Chase The Devil”, featured on Hellbent Records’ “Welcome To Hell V” compilation, the label’s fifth annual VA. The release continues Hellbent’s 2026 shift toward a Latin-leaning tech house sound, where rhythm and attitude sit front and center rather than overworked arrangement tricks. The track is built for impact from the start: a raw reggae-style vocal intro sets a gritty tone before the groove locks in and everything starts to roll forward with intent.
The core of the record sits in its rhythmic push. Tight percussion drives the track, while a stripped but bouncy bassline keeps it moving without losing weight. What gives it character is how the details cut through the mix — a guitar phrase that feels almost playful, and a trumpet line that enters with a sharp, slightly unexpected edge. Instead of stacking layers for the sake of it, the production leaves enough space for each element to breathe, which makes the track work better in loud club environments where clarity matters more than density.
Both artists come from different backgrounds — Rimbano out of Italy and Snooko from the US — but meet on the same wavelength when it comes to club-focused music. Over the past year they’ve been steadily building presence in the tech house circuit, with growing DJ support from heavy hitters like Cloonee, Michael Bibi, and The Martinez Brothers. That kind of backing isn’t random; it usually points to records that already work in real sets before they even hit streaming platforms.
“Chase The Devil” fits that category. It’s not trying to reinvent anything, but it knows exactly what it is: a tool with personality, built for peak time moments. The endorsement from Hellbent boss Cloonee, who flagged it as one of the compilation standouts, only reinforces its position as a track already wired into the current club ecosystem rather than sitting outside it.