With “NSA,” I wanted to go a little harder in the melodic direction, a bit more raw and direct — more drive, more edge. I can feel my sound evolving into this space between Indie Dance and powerful melodic house, with my own twist. I’d love to blend emotional depth with high energy — breaking genre rules a little.
You’ve performed at major festivals and exclusive BON VOYAGE events — how does your approach change between a massive crowd and an intimate setting?
The vibe is totally different — and I love that. Big festival stages are all about energy, power, and those explosive moments that make the crowd lose it. BON VOYAGE, on the other hand, is emotional and personal. I get to build a slower, deeper journey, connect eye to eye, and really tell a story. I honestly love both sides to feel balanced as an artist.
Coming from Austria and then moving to New York to study and grow as a DJ is quite a leap. How has that cultural mix shaped you as an artist and as a person?
So much! Austria gave me strong roots — discipline, structure, and a deep respect for music. But New York taught me to be loud, fearless, and to just go for it. That contrast shaped everything about who I am now. It made me more confident in my sound and gave me the courage to take risks — both creatively and personally.
Many young women look up to you in a still male-dominated industry. What advice would you give to aspiring female DJs and producers trying to break through?
First of all: you absolutely belong here! Learn your craft, stay curious, and don’t let anyone dim your light. Find your own voice — you don’t need to copy anyone else. There will be tough moments, but every single artist faces those. Surround yourself with supportive people, and connect with other women in the scene — that kind of community is powerful.
You’ve had support from artists like Meduza and Tiësto — how does it feel to have your music championed by names you may have once looked up to yourself?
Honestly? Goosebumps. I used to dance to their sets and dream about one day sharing that space. So seeing them support my tracks now feels surreal. It’s way more than just a milestone — it’s fuel. It reminds me that the hours in the studio, the risks, the self-doubt — it’s all part of something bigger.
With BON VOYAGE you’re blending music, travel, and emotion — what’s been the most magical location you’ve played at so far, and why?
My first Event on 3000m in the Austrian Alps, without a doubt. We played during sunset, right by the peaks, in this beautiful natural spot — no giant crowd, just a group of people completely present in the moment. It felt like time stopped. That’s exactly what BON VOYAGE is about: creating emotional, unforgettable experiences where the music and the location become one.
When you’re not behind the decks or in the studio, how do you unwind? Any personal rituals or hobbies that keep you grounded amidst the intensity of touring and producing?
