With his latest EP So Far To The End, French producer and vocalist Thaylo invites listeners into a deeply personal and emotionally resonant journey through melodic house. Known for blending emotive soundscapes with club-ready rhythms, Thaylo has taken his sonic evolution a step further — not just through production, but by lending his own voice to nearly every track on the project. The result is an EP that feels both expansive and intimate, showcasing an artist who’s not just refining his sound, but fully stepping into his own musical identity. We caught up with Thaylo to talk about the story behind the new release, his creative process, and what’s on the horizon.
“So Far To The End” feels like an evolution from your previous EP. What story or emotion were you aiming to convey with this release?
This EP marks a new chapter for me, especially in terms of musical evolution. I really tried to bring a sense of freshness and something new to a genre I deeply love — melodic house. The fact that I sing on almost every track also adds a more personal and intimate touch, which makes this project feel even more meaningful to me. It’s something I’m truly proud of.
Each track on the EP has a distinct energy. How did you approach the sequencing of the tracks to shape the listener’s journey?
I tried to create different energies that connect and flow into each other throughout the EP. For example, ‘Become Alive’ feels like a kind of rebirth — both through its lyrics and the uplifting energy it brings. On the other hand, So Far to The End, which is the title track, carries more of a message of hope. It ties the whole project together and gives it a sense of emotional continuity.
The collaboration with HGenius on ‘Hold On Me’ stands out. How did that partnership come about, and what was the creative process like?
This collaboration started a little while ago. I had been following HGenius’s work and really liked what he was doing — I felt like our musical worlds would blend really well. So we decided to team up. It all began with an instrumental he sent me — very melodic, with beautiful chords and synths. I immediately connected with it and started adding my own touch. At some point, I thought, why not sing on this one too? That’s how the idea for ‘Hold On Me’ came about — a track that explores the hold someone can have on your life, whether it’s something uplifting or something heavier. Huge thanks to HGenius for this one — I’m really proud of what we created together.
How do you hope listeners feel or what do you hope they take away after hearing “So Far To The End”?
I hope listeners feel the same emotions I did while creating this EP — love, hope, and something deeply emotional. My only goal is to share something sincere and honest. So if people feel that authenticity when they listen, then I’ve done what I set out to do.
You’re known for blending emotive melodies with deep grooves. How do you strike that balance between dancefloor energy and emotional resonance?
I think that’s one of my biggest musical challenges — blending emotional melodies with deep, groove-driven energy isn’t always easy. My process is pretty straightforward: I stay true to my natural, sincere touch when it comes to composition and melodies. Then, I build on that by adding the kind of elements I love hearing in clubs or at festivals — punchy drums and rhythms that make you want to move. It’s all about finding that balance between feeling and movement.
How has your sound evolved since ‘Walking Dream,’ and what inspired this new direction on ‘So Far To The End’?
I feel like I’m still moving in the same direction, but I’m always trying to be more and more authentic. That’s also why I’ll soon be releasing new tracks that feature more organic instruments — going back to the roots of music while keeping my core sound.
Since ‘Walking Dream’, I’ve been focused on building and strengthening my musical identity. ‘So Far To The End’ is a major step in that journey — it marks the end of one chapter for me, and the beginning of a new one. I’m really proud of this EP because it truly represents who I am right now, and it expresses exactly what I want to share with people.
Can you share any insights into your studio workflow — do you start with a melody, rhythm, or something else entirely?
Most of the time, I start with the piano — just playing around, building atmospheres, and trying to feel something real. That emotional starting point is really important for me. From there, I either experiment with my voice or jump onto my laptop to build around the mood — adding elements like arpeggios, textures, or rhythmic layers. It’s a very instinctive process, always led by emotion first.
Growing up in France, were there any local music scenes or artists that had a major influence on your sound?
Absolutely! France has such a rich artistic scene, and growing up surrounded by that definitely had an impact on me. Artists like Daft Punk, M83, and David Guetta had a huge influence on my sound in different ways — whether it’s the emotion, the energy, or the innovation they brought to electronic music. They helped shape my vision of what’s possible with music.
What drew you to progressive house in particular, and how do you see your style fitting into or diverging from the broader genre?
I’ve always been drawn to progressive music in general — I love when a track takes its time, building gradually and adding new layers along the way. There’s something powerful in that slow evolution. I’d say there’s always a progressive touch in my music, but I wouldn’t define my sound as strictly progressive house. I feel like I move between progressive, melodic, deep house, and more organic, piano-driven sounds. My style lives somewhere in between, always guided by emotion and atmosphere.
Now that this EP has been released, what’s next for you — more releases, touring, or perhaps experimenting with new genres or collaborations?
Now that the EP is out, I’ve got a lot of new music on the way. I’ve been working for months behind the scenes without releasing anything, so I’m really excited to finally start sharing all these new tracks — each one with its own vibe and universe. There’s also some touring coming up! I’ll be opening for Rivo on June 14th in Dublin, Ireland — and I can’t wait to connect with people in a live setting again. I have few collaborations in work process. To be honest, some big things will come end of this year/beginning of next year..I’m really looking forward for all of this!
